繭山順吉 資料室Mayuyama Junkichi ARCHIVES

MAYUYAMA JUNKICHI ARCHIVES

The Junkichi Mayuyama Archives has been established to make the photographs, books, articles and manuscripts preserved by Junkichi himself available to researchers. Within the context of a Taishô-Shôwa era (1912-1989) art dealer family, what kind of art dealer did he set out to be? The materials here introduce the man himself and his spirit, addressing questions from various vantage points.
As for the “Website Archive”, the resources are limited. If there is a need for a particular resource as you search through the website, contact us and we will arrange consulting depending on your research purpose.

 
Our resource example:

  • Letters and Notes from 1900’s.
  • Catalogs from 1900’s.
  • Travelogues and journals
  • List of Published materials

etc.

WHO OPERATES THE
MAYUYAMA JUNKICHI ARCHIVES

Thank you for visiting the Mayuyama Junkichi Archives

 

Major changes are occurring in the settings which contain arts for visual appreciation and antique arts. We are in an age in which art exhibitions with diverse themes are held, art auctions commonly occur throughout the world, and the internet lets us view art works located anywhere in the world. And yet, amidst all of this convenience, I still have questions about this new environment.

 

Have these conditions increased your ability to have up-close interactions with art, to touch and appreciate antiques in person? Do you have enough time in spaces you enjoy to fully immerse yourself in the stories told by antique art works?

 

I suggest that amidst our fast-moving times, opportunities to become intimately aware of the distant lives of the people conveyed by antique arts have become fleeting, high-speed moments.

 

As I grew up in an art dealer family, I have come to experience the expressions of anticipation on the faces of customers who open the front door of our gallery. There has been a steady stream of art aficionados and scholars who lose all sense of time as they immerse themselves in art work encounters after passing through those doors. Our gallery is a place where one can spend time choosing a work, educating the mind’s eye to its features.

 

Antique art works are affirmations for those of us alive today. They have a gentle life force of their own. The beauty of these works that fills our hearts was born long ago, and it is a strange experience to sense how they have been entrusted to us today. Our dialogue with antique art, even today, is of incalculable value.

 

The art dealers who foster such interactions also thrive. The records of art dealer Mayuyama Junkichi active a century ago show that the role of the art dealer who makes the effort to travel the world’s art market for their clients has not greatly changed in the interim.

 

This is the entrance to a website where the records of a single art dealer will bring the realm of art for visual appreciation all the closer to your everyday life.

 

Unlike other art dealers, Mayuyama Junkichi spent considerable time and effort on research and record creation. He recorded works via photographs, and diligently continued to accumulate information and materials regarding works. He even went so far as to write and publish articles in specialist art journals. He was the sort of person unbothered by the tasks of organizing and summarizing materials. And he did not keep these findings to himself, rather he attached them to works for sale in his gallery and shared them with others in the industry, all with the hope of refining and furthering the growth of Japan’s antique business.

 

I have built this website in order to convey to others my grandfather’s spirit and character. In addition to the thanks and appreciation felt by my grandfather, I would like to add my gratitude to not only those customers who supported Mayuyama Junkichi over the years, but also others in the antique business both in Japan and abroad, antique art specialists and scholars, along with all of the specialists, from furoshiki wrapping makers to restorers, art transport and specialist art handlers. It is in that spirit that I manage this website as his granddaughter.

 

 

Mayuyama Ayako

 

Ayako Mayuyama

Graduated from Joshibi University of Art and Design Junior College. After study at New York University, worked at Uragami Sokyu-do Co., Ltd, in Nihonbashi, Tokyo. After apprenticeships in the Chinese Works of Art Dept. of Christie’s New York and Mayuyama Ryûsendô, today an advisor to Mayuyama Co., Ltd. Owner of Mayuyama Junkichi Archive.

MAYUYAMA JUNKICHI

Junkichi Mayuyama was an art dealer born in Japan’s Taishô era and active in the Shôwa era, a life spanning the 20th century.

 

At a time when the job title art dealer was still little known in Japan, Junkichi was trained onsite in the places where artwork changed hands, and through his extensive buying and selling experience, he came to be renowned as an art dealer specializing in the handling of ancient Chinese art. Even after his retirement and until his death at the age of 85, he spent his life overseeing the shifting tides of the art dealer realm in Tokyo’s Kyobashi district.

 

The Junkichi Mayuyama Archives website has been established to make the photographs, books, articles and manuscripts preserved by Junkichi himself available to researchers. Within the context of a Taishô-Shôwa era (1912-1989) art dealer family, what kind of art dealer did he set out to be? The materials here introduce the man himself and his spirit, addressing questions from various vantage points.

Portrait of Junkichi Mayuyama

CHRONOLOGY

1913

Born in Toyama prefecture

1931

Graduated from First Tokyo Middle School (present-day Kudan High School)

1932

Started work at Mayuyama Ryûsendô

1935

Death of his father Matsutarô Mayuyama

1940

Marries

1943

Conscripted, sent to the Chinese front

1946

Demobilized, returned to Mayuyama Ryûsendô

1949

Named Director of the Tokyo Art Club Co., Ltd.

1950

First visit to the US

1951

Awarded Medal with Dark Blue Ribbon 1976

1957

First visit to Europe

1960

Moved his residence and main office to Kyobashi 2-chome site

1962

Established Hollis & Mayuyama, Inc., in New York

1965

Reorganized Mayuyama Ryûsendô as a limited company, named the first director of Mayuyama Co., Ltd.

1969

Awarded a second Medal with Dark Blue Ribbon

1976

Resigned as President of Mayuyama Ryûsendô

1979

Awarded Medal with Purple Ribbon

1994

Named Chairman of Mayuyama Co., Ltd.

1999

Died

Summer 1914 in Beijing

Summer 1914 in Beijing

Matsutarô Mayuyama and Junkichi in Beijing, ca. 1917

Matsutarô Mayuyama and Junkichi in Beijing, ca. 1917

The area in front of the family home in Chongwenmen, Dongcheng district of Beijing, where he spent his childhood

The area in front of the family home in Chongwenmen, Dongcheng district of Beijing, where he spent his childhood

Junkichi at the Yungang Grottoes, Datong, ca. 1937, age 23

Junkichi at the Yungang Grottoes, Datong, ca. 1937, age 23

Junkichi, ca. 1955, age ca. 40

Junkichi, ca. 1955, age ca. 40

In Kamakura, ca. 1955

In Kamakura, ca. 1955

Teotihuacan altar, Mexico, 1962, age 48

Teotihuacan altar, Mexico, 1962, age 48

Visiting China as part of an art dealer association delegation, 1976, age 63

Visiting China as part of an art dealer association delegation, 1976, age 63

Forbidden City, as part of an art dealer association delegation, 1976

Forbidden City, as part of an art dealer association delegation, 1976

At the Crescent House, ca. 1980

At the Crescent House, ca. 1980

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